Jeff Donaldson, Simba, 1972, mixed media, 28 x 18 in. Collection of Dr. Sheryl L. Colyer, Courtesy of Kravets Wehby Gallery, New York
Jeff Donaldson, Maternal Homage, 1971, mixed media, 27 x 27 in. Courtesy of Kravets Wehby Gallery, New York
Jeff Donaldson, Aunt Jemima and the Pillsbury Doughboy, 1963, oil on linen, 48 x 48 in. Courtesy of Kravets Wehby Gallery, New York
Jeff Donaldson, Majorities, 1977, mixed media, 44 x 36 in. Private Collection, courtesy of Kravets Wehby, New York
Jeff Donaldson, Stone Singer, 1996-1999, acrylic on canvas, 66 x 36 in. Private Collection, New York, Courtesy of Kravets Wehby, New York
Jeff Donaldson, Victory in the Valley of Eshu, 1971, mixed media, 36 x 25 ½ in. Courtesy of Kravets Wehby Gallery, New York
Jeff Donaldson: Dig
"Here, in Akron, we have a chance to plug into the visual art of a special generation of people who helped to not only change the aesthetic for millions of black Americans, but who through their art were able to capture a moment and a feeling that could propel people forward in new, exciting and positive directions all over the world."—Anderson Turner, "‘Jeff Donaldson: Dig’ illuminates AfriCOBRA artist’s beautiful, energetic work," Akron Beacon Journal
Jeff Donaldson: Dig, the artist’s first museum retrospective, explores Donaldson’s four-decade career. Spanning his activist roots in Chicago to his influence on future generations of artists as a professor at Howard University and vice president of the Barnes Foundation, this major exhibition presents new scholarship and features works never before publicly presented.
In 1968, Donaldson, along with Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams, founded the African Commune of Bad Relevant Artists (AfriCOBRA). Formed in Chicago’s South Side, AfriCOBRA was born in an era of political and social unrest and in an art world that privileged white artists and audiences. AfriCOBRA sought to create a new kind of art that was not only politically engaged but reflected contemporary black culture and appealed specifically to a black audience.
Donaldson’s work across the decades combines energetic colors, intricate patterns and African iconography to celebrate the history of African art and the roots of black culture. Featuring paintings, prints and mixed media works, Dig reflects on Donaldson’s deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking. The exhibition features iconic examples of Donaldson’s early work known for its high energy “coolade” palette. For the first time, these early examples are shown alongside Donaldson’s later, lesser known works from the 1980s, 1990s and early 2000s, demonstrating the artist’s lifelong commitment to making, as he often described, “art for the people, not for critics.”
Jeff Donaldson: Dig is organized by The Everson Museum of Art, Syracuse, NY, and supported by the John S. and James L. Knight Foundation, the Ohio Arts Council, the Akron Community Foundation, Kenneth L. Calhoun Charitable Trust, KeyBank Trustee, and Katie and Mark Smucker.
|Katie & Mark Smucker|