Nick Cave, Soundsuit, 2012, mixed media, including beaded and sequined garments, fabric, metal and mannequin, 109 1/2 x 24 1/2 x 12 in. Courtesy of the artist and Jack Shainman Gallery, New York, © Nick Cave, Photo: James Prinz Photography


Nick Cave, Rescue, 2014, mixed media, including ceramic birds, metal flowers, ceramic basset hound, and vintage settee, 70 x 50 x 40 in. Courtesy of the artist and Jack Shainman Gallery, New York, © Nick Cave, Photo: James Prinz Photography


Nick Cave, Blot (still), 2012, digital video, edition 1 of 5, with 2 artist proofs; 42 minutes, 57 seconds. Courtesy of the artist and Jack Shainman Gallery, New York. © Nick Cave


Nick Cave, Heard performance, © Nick Cave, Photo: James Prinz Photography

Wall Relief

Nick Cave, Wall Relief, 2013, mixed media, including ceramic birds, metal flowers, afghans, strung crystals, and gramophone, 97 x 74 x 21 in. Courtesy of the artist and Jack Shainman Gallery, New York, © Nick Cave, Photo: James Prinz Photography


Nick Cave, Soundsuit, 2016, mixed media, including vintage toys, wire, metal and mannequin, 84 x 45 x 40 in. Courtesy of the artist and Jack Shainman Gallery, New York, © Nick Cave, photo: James Prinz Photography

Artist Nick Cave

Artist Nick Cave

Nick Cave: Feat.

February 23, 2019 - June 2, 2019
Karl and Bertl Arnstein Galleries

"We have to continue to dream. To dream is optimism."—Nick Cave, interviewed by Brittany Hudak for CAN Journal

"The individual pieces and parts remind him [Nick Cave] of things 'collected and treasured by his grandparents.' Cave’s ability to elevate objects that are so familiar to many of us, with so much shared memory and meaning, is part of why his work is so powerful. It’s a skill he is able to carry through everything he creates, regardless of chosen medium, form or subject matter."—Anderson Turner reviews Nick Cave: Feat. in the Akron Beacon Journal

"I think the dreaming, or that imaginary space, comes through the process of building and constructing, because I don’t sketch anything. And it would be hard. Whatever I pull out is what we’re gonna make, and build with. And that acceptance of material, and how we find ways of connecting and building based on circumstance, and how we exist in the world."—Nick Cave, interviewed by Diana Sette for Hyperallergic

Chicago-based artist Nick Cave (b. 1959) produces work in a wide range of mediums, including sculpture, installation, video, and performance. His creations, bursting with color and texture, are optical delights that can be enjoyed by audiences of all ages and backgrounds. A deeper look reveals that they speak to issues surrounding identity and social justice, specifically race, gun violence, and civic responsibility. His trademark human-shaped sculptures—called soundsuits because of the noise made when they move—began as a response to the beating of Rodney King by policemen in Los Angeles more than twenty-five years ago. As an African American man, Cave felt particularly vulnerable after the incident so he formed a type of armor that protected him from profiling by concealing race, gender, and class

Along with broadcasting an increasingly urgent call for equity, Cave wants his art to spark viewers’ imaginations and aspirations. This exhibition’s title, Feat., refers to the exceedingly hard work that goes into attaining success (it takes, for example, roughly seven hours to hand-sew just one square foot of a button soundsuit). It also plays on how talent is often listed in promotional materials—an appropriate nod to Music City and its creative community. Through this immersive installation, Cave hopes to provide a transformative place where your narrative can be featured and your dreams can soar.

About the artist
Nick Cave was born in Fulton, Missouri, in 1959. He received a BFA from the Art Institute of Kansas City and an MFA in fiber arts from Cranbrook Academy of Art, outside of Detroit. Cave’s work has been featured in monographic exhibitions around the globe, at venues such as the Cranbrook Art Museum, the Denver Art Museum, the Institute of Contemporary Art in Boston, and the Massachusetts Museum of Contemporary Art, and is housed in the permanent collections of many major institutions, including the Brooklyn Museum, the Detroit Institute of Arts, the Hirshhorn Museum and Sculpture Garden, and the Museum of Modern Art. Cave has received several prestigious awards, among them the Joan Mitchell Foundation Award, the Artadia Award, the Joyce Award, and multiple Creative Capital Grants. He has lived and worked in Chicago since 1990 and is the Stephanie and Bill Sick Professor of Fashion, Body, and Garment at the School of the Art Institute of Chicago. He is represented by Jack Shainman Gallery in New York.

Nick Cave: Feat. was organized by the Frist Art Museum, Nashville, Tennessee.
Supported in part by the National Endowment for the Arts.

Its presentation in Akron is made possible through the generous support of the John S. and James L. Knight Foundation, Ohio Arts Council, The Tom and Marilyn Merryweather Fund, Akron Civic Commons, and The Lehner Family Foundation. Additional support provided by Mr. and Mrs. Joseph Kanfer, the Akron Summit Convention and Visitors Bureau and the Hilton Garden Inn - Akron. Media sponsorship provided by Western Reserve PBS.

Knight Foundation logo    Ohio Arts Council logo    The Tom and Marilyn Merryweather Fund
  Akron Civic Commons    Lehner Family Foundation      Western Reserve PBS

Related Links:

[ Brittany Hudak, "AN INTERVIEW WITH ARTIST NICK CAVE – FEAT. OPENS 2/23 AT AKRON ART MUSEUM," CAN Journal ] [ Mark Arehart, "State of the Arts: The Art and Armor of Nick Cave's Sound Suits," WKSU 89.7 ] [ Anderson Turner, "Review: Nick Cave’s work is charming, engaging, challenging," Akron Beacon Journal ]