(Chicago, Illinois, 1951 - )
1984
Graphite on paper
11 1/16 x 13 7/8 in. (28.2 x 35.3 cm)
Collection of the Akron Art Museum
Gift of The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a National Gift program of Contemporary Art, is announced by the National Gallery of Art, the National Endowment for the Arts, and the Institute of Museum and Library Services.
2009.30.22
Nechvatal creates a dense field of seemingly statically-charged images—congested patterns of human and animal forms, vegetation and figures. In this frenetic network of lines, bodies emerge from the chaos only to recede back into it. Nechvatal’s heavy use of graphite suggests a landscape submerged in industrial residue. The artist embraces concerns about everything from pollution to international politics, advertising and nuclear war. Ever interested in systems, by the late 1980s, Nechvatal had embraced technology as a means to make art. Today he designs programs to create computer-assisted paintings and animations. “In the mid-1980s,” he states, “I could already observe the coming rise of electronic media . . . as the controlling, organizing force of social power.”