In the final part of our interview, Mernet Larsen discusses how she translates reality into geometry. “Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.” Anderson Turner, Akron Beacon Journal Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The
In part four, the artist discusses the role of humor in her work. “Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.” Anderson Turner, Akron Beacon Journal Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist stages ordinary
In part 3, Mernet Larsen discusses her use of ordinary settings for her unconventional paintings. “Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.” Anderson Turner, Akron Beacon Journal Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist
In part one of our interview, Mernet discusses her artistic inspiration. “Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.” Anderson Turner, Akron Beacon Journal Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist stages ordinary scenes—people playing
Food City verges on abstraction, as colors, shapes and brushstrokes intermingle. Cars, taxis and vans flatten into the same space as the cashier’s pink uniform, the checkout counters and stacks of cigarette packs. The facades of multistory buildings merge with hand-lettered signs advertising chuck steaks at 39 cents a pound. Richard Estes crops his painting so the grocery store’s glass windows fill the entire composition. Exterior and interior elements dissolve into a single plane. This energetic visual potpourri mimics the vitality of the surrounding New